Known as the rock 'n' roll cobbler to the fashion glitterati of the 1970s, Terry de Havilland is still going strong after over 50 years in the business. With the upcoming opening of his London pop-up shop, Andrew Adebowale dons his platform wedges to chart the second coming of a British style icon.
Classic 1960s British label, Ossie Clark, is being exhumed and in February 2013, will be reintroduced onto the British high street through UK department store, Debenhams. But, the deal leaves Andrew Adebowale with an uncomfortable feeling: is this a nostalgia-driven desecration of the designer's epitaph?
Can art only be appreciated if it's placed within the rarified air of a gallery, against a plain white background and guarded by a velvet rope? Or does the rise of the "guerrilla" artist, with their compunction to use city walls as a canvas, convey a much more vital and transformative experience? Andrew Adebowale casts his eye over the role art has played in the evolution of humankind.
Old escape maps, signature parachute fabric, Ripstop cotton and Amelia Earhart flew together for Christopher Raeburn's S/S 2013 womenswear collection at last month's London Fashion Week. Andrew Adebowale charts the rise of ethical fashion's best-loved poster boy, but wonders whether the ethical tag is starting to wear a little thin.
"Do you expect me to talk?" "No Mr Bond… I expect you to die!" So counters Goldfinger to MI6's most famous son. As the 007 film franchise approaches its 50th birthday and in anticipation of the release of Skyfall in November, Andrew Adebowale visited the James Bond exhibition at London's Barbican Centre to fathom the ongoing appeal and influence of the world's no. 1 spy.
Most Londoners of a certain age will have experienced travelling on the iconic Routemaster, the original double decker bus that remains a universally accepted symbol of the UK's capital city. Seven years later, the Routemaster has been expensively resurrected and is about to be re-launched back onto the streets in February.
The London 2012 Olympic and Para-Olympic Games are just around the corner. Andrew Adebowale explores how the Stella McCartney-designed Great Britain Olympic team strip has helped evolve the complex relationship between sport and fashion.
The twelfth commission of the annual Serpentine Gallery Pavilion series, located in London's Hyde Park, will open to the public in June 2012. Archaeology, cutting-edge design and sustainable building materials will unite in the latest "art meets architecture" installation. But do "public" works of art such as this have a tangible and positive effect on urban regeneration?
The Curtain Theatre in London's East End, where William Shakespeare once staged his plays is now a hotbed of grime music, a distinctly British art form in which wordsmiths contort the English language into a barrage of rhythmical storytelling. Can the inner-city soundscape of grime be considered the unruly and streetwise love child of the Bard himself?
With names such as Fred Astaire, Sir Winston Churchill and Elton John having previously visited Savile Row for its high-quality suits, the proposed opening of an Abercrombie & Fitch store along the same iconic stretch of London road was met with disdain by many well-dressed protesters last month.
As rock 'n' roll legends, The Rolling Stones, drag themselves out of semi-retirement to commemorate 50 years in the game, there is a whispering campaign pushing the idea that Hedi Slimane will dress the old rockers for their impending tour. But is the egoist creative director of Saint Laurent Paris the right man for the job?
The British monarchy has a long history of incorporating different styles into their mode of dress. Royal appropriation of the textile design known as tartan is bound in a historical and political power struggle that pitted Scotland against England and took tartan from the Highlands to the catwalks of the world. Andrew Adebowale examines fashion's enduring love affair with arguably the most rebellious of textile designs.
At the end of 2011, IBM reintroduced the Hemline Index back onto the news agenda. Giving a 21st century twist to the original theory by adding a kinky mix of social media and high heels to the equation, IBM set about investigating the link between fashion trends and the underlying state of the economy. Andrew Adebowale attempts to separate fact from fiction on how fashion affects society's response to a changing economic environment.
Philosopher and writer Alain de Botton has put the cat amongst the pigeons with a proposal to construct a temple for atheists in the heart of London. The proposal has commenced a debate that asks what values best represent the UK's postmodern capital city.
In 2011, British retailer Burberry enjoyed a bumper year in terms of both sales revenue and pre-tax profits. The company's growth comes despite indications that the economic performance of UK PLCs continues to flat-line. So where did it all go right for Burberry and what could the fashion brand teach the politicos at Westminster?
By some strange twist of fate, the development of the fine arts into a central tenet of Western civilization and culture was only possible because of bankers with deep pockets. Today, trading exchanges offer shares in artwork to investors looking to make a profit. Andrew Adebowale examines the commodification of art.
The Fred Perry laurel leaf has been around for as long as Queen Elizabeth II (God bless her) and the sportswear label is celebrating its 60th anniversary with a number of collaborative projects. Andrew Adebowale discovers how the brand's quintessential middle-class tennis garments were adopted by the visionary, working-class street stylists of 1950s London, who set into motion a series of interconnected sub-cultures that would ultimately shape the cultural mindset of Britain.
Usually the preserve of the luxury knitwear market, cashmere has a heritage imbued with humanity's desire to challenge the elements of the natural world. Inspired by early polar explorers and mountain climbing pioneers, Scottish-based sportswear and clothing brand, Dhu, is harnessing cashmere's sustainable and hardy nature for the modern, fashion-conscious adventurer.
Despite its small financial muscle and physical size, Jamaica's standing as a cultural (and sporting) powerhouse is indicative of a country that punches well above its weight. But it is Jamaica's influence on the world's street style that offers a revealing glimpse of the island's innate character.
Emilie Grubert is a Danish costume designer making waves in the Copenhagen arts scene. Grubert's elaborately detailed and individualistic creations - and now her films - conveys the world from her perspective. Andrew Adebowale speaks to Grubert about her haphazard journey.
While the cows of Pilton Farm take a well deserved rest from this year's Glastonbury Festival, let's analyse the growing influence of fashion on an event that is revered for its eclectic mix of music, ecological manifesto and spiritual ley lines. Is the underlying essence of Glastonbury being compromised by the celebrity fashion circus?
Breaking a ten-year musical interlude, David Bowie quietly released his mournful ode to the city of Berlin on his 66th birthday last month. The new single precedes the imminent release of a new album and heralds a year of retrospective appraisal of the man who fell to Earth and changed the world.
Thanks to Christie's auction house, pop culture fans were offered the chance-of-a-century to get their hands on 154 lots of infamous items, including Madonna's conical-cone corset by Jean Paul Gaultier and Mick Jagger's sequined Ossie Clark crushed velvet jumpsuit.